Poppies by Jane Weir

Three days before Armistice Sunday

and poppies had already been places

on individual war graves. Before you left,

I pinned one onto your lapel, crimped petals,

spasms of paper red, disrupting a blockade

of yellow bias binding around your blazer.

Sellotape bandaged around my hand,

I rounded up as many white cat hairs

as I could, smoothed down your shirt’s

upturned collar, steeled the softening of my face.

I wanted to graze my nose

across the tip of your nose, play at

being Eskimos like we did when

you were little. I resisted the impulse

to run my fingers through the gelled

blackthorns of your hair. All my words

flattened, rolled, turned into felt,

slowly melting. I was brave, as I walked

with you, to the front door, threw

it open, the world overflowing

like a treasure chest. A split second

and you were away, intoxicated.

After you’d gone I went into your bedroom,

released a song bird from its cage.

Later a single dove flew from the pear tree,

And this is where it has led me,

skirting the church yard walls, my stomach busy

making tucks, darts, pleats, hat-less, without

a winter coat or reinforcements of scarfs, gloves.

On reaching the top of the hill I traced

the inscriptions of the war memorial,

leaned against it like a wishbone.

The dove pulled freely against the sky,

an ornamental stitch. I listened, hoping to hear

your playground voice catching on the wind.

Our Year 11 learners in Yellow Group analysing the structural features within Poppies. They worked together to label features and discuss the effect on the reader. This poem is not only part of their Power and Conflict Poetry Anthology for GCSE Literature – it contributes to the learners understanding and importance of Remembrance Day this month and why we wear Poppies.